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Artist's Statement:
I began working in clay in 1985, producing
mostly functional stoneware.
While working on my MA in 1990, I encountered
the processes of low fire raku and high fire Japanese porcelain,
both of which appealed to me. The porcelain because of its purity
and smooth surface which compliments my preference for simple
forms; the raku process because of the excitement and immediacy
of the firing , and the unpredictability of the results.
Recently I have been working on a series of
wheel thrown and altered organic forms inspired by seed pods. By “organic” I
mean that there is no preconceived end product , the piece evolves
intuitively. I have also begun experimenting with saggar
firing , a process that involves firing pieces within a container
filled with combustible materials inside the kiln. Like
raku, this firing produces variable results depending on
the combustibles used, placement of the pieces, and other whims
of nature.
Throwing on the wheel is a meditative process
for me allowing the experience of flow and connection. My love
of movement and dance has been and continues to be a strong influence
on all of my clay forms.
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