New Mexico Potters and Clay Artists

Studio Tour

NMPCA Studio Tour

Barbara King

Lee Akins
Cricket Appel
Michelle Arterburn
Karin N. Bergh
Elaine Biery
Kathryn Blackmun
Tamara Cameron
Barbara Campbell
Diane E. Botham
Tony Butler
Joy Coffino
Kathryne Cyman
Sara Lee D'Alessandro
Pamala S. Dean
JoAnne DeKeuster
Kevin DeKeuster
Adele Devalcourt
Jay Dirago
Carolyn Efner
Karen Fielding
Joe Frey
Elizabeth Fritzsche
Eileen Gorman
Philip Green
Sandra Harrington
Alexis Higginbotham
Theo Helmstadter
Cheryl Hoagland
Marc Hudson
Z Jacobson
Linda R. Kastner
Barbara King
Daisy Kates
Michael Lancaster
Carolyn Lobeck
Rhonda Main
Lynne McCarthy
Karen K. Milstein
Darlene Nelson
Shel Neymark
Judy Nelson-Moore
Judith Richey
Kari Rives
Elizabeth Rose
Rita Ryan
Greta Ruiz
Anne Russell
Abby Salsbury
Joey Serim
Carolyn Robbins Siegel
Mary Sharp Davis
Cirrelda Snider-Bryan
Kristin C. Thacher
Michael Ray Thornton
Ann Trott
Layne Vickers Smith
Elaine Weaver-Spalek
Melanie Ann Wegner
Ruth Weston
Betsy Williams
Juanita Wolff
Tomás R. Wolff

22 Avenida Vieja
Galisteo, NM 87540
505-466-3219
Studio visits are welcome
Please call ahead - open most days

bking2@wildblue.net
www.barbarakingpottery.com   (under construction)

www.galisteostudiotour.org
www.newmexicopotterstrail.org

Barbara King  Barbara King  Barbara King  Barbara King  Barbara King  Barbara King  Barbara King  Barbara King 
Barbara King

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larger picture and details about works by

Barbara King.

Scroll down to see artist's statement.

Artist's Statement:

Clay has been part of my life for as long as I can remember and I can’t imagine it any other way.  Working with such a malleable material is invigorating, inspiring, energizing but also relaxing, and brings out many different facets of my personality.  On the one hand, I’m very organized and disciplined and love the rhythm and repetition of working on the wheel. For many years I produced limited edition functional ware for my own gallery.

More and more I have a big inner desire to break free and let the clay speak to me more abstractly and intuitively.  I sometimes can do that with some altering of the thrown shapes as well as combining thrown and hand built parts.  Mostly I glaze in a very loose way using overlapping glazes and wax resist designs.  Firing to cone 10 in a gas reduction kiln also contributes to the spontaneity. 

Lately I’ve given myself the time and the luxury to explore and experiment more with these sculptural desires and I find that I’m bursting at the seams with ideas.  Sometimes pieces are purely spontaneous and decorative, but more often they are based on a functional idea.  I’ve been using paper and fiber clays to build the larger pieces, or I throw and hand build in removable sections

.   I like to think of most of these larger pieces as garden objects.

 

Barbara King in her studio
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