Artist's Statement:
Much of my views about art are deeply rooted in my childhood. My
parents were artists, who valued creativity, originality, independence,
and the exploration of the natural environment. We served
from my mother’s earthenware bowls and were surrounded
by handmade pots, sculptures, and unusual objects. We played
with the inventive mechanisms and sculptures given to my father
by his peers and students. I remember relaxed and open-ended
discussions over the years of what the abstract paintings on
our walls might be representing. Art was part of every day living.
I have been learning to make pots off and on since about 1987,
but most intensively for the past 9 years. Early formal
studies began in a North Carolina arts and crafts center and
progressed with university coursework. After moving to
the Big Island of Hawaii, I learned through a quasi-apprenticeship
with an accomplished potter transplanted from Oregon and then
spent countless hours of individual exploration in my own studio. More
recently, induction into wood firing communities has brought
new possibilities to mind.
I like for my work to be part of every day living. I am inspired
by line, by found objects, by nature, and by creative problems
originating in my imagination. I have a deep respect for
pure and traditional forms, rooted in my early training, and I
am exploring my personal expression or aesthetic by experimenting
with volume, shape, surface, and design potential.