New Mexico Potters and Clay Artists

Studio Tour

NMPCA Studio Tour

Tamara Cameron

Lee Akins
Cricket Appel
Michelle Arterburn
Karin N. Bergh
Elaine Biery
Kathryn Blackmun
Tamara Cameron
Barbara Campbell
Diane E. Botham
Tony Butler
Joy Coffino
Kathryne Cyman
Sara Lee D'Alessandro
Pamala S. Dean
JoAnne DeKeuster
Kevin DeKeuster
Adele Devalcourt
Jay Dirago
Carolyn Efner
Karen Fielding
Joe Frey
Elizabeth Fritzsche
Eileen Gorman
Philip Green
Sandra Harrington
Alexis Higginbotham
Theo Helmstadter
Cheryl Hoagland
Marc Hudson
Z Jacobson
Linda R. Kastner
Barbara King
Daisy Kates
Michael Lancaster
Carolyn Lobeck
Rhonda Main
Lynne McCarthy
Karen K. Milstein
Darlene Nelson
Shel Neymark
Judy Nelson-Moore
Judith Richey
Kari Rives
Elizabeth Rose
Rita Ryan
Greta Ruiz
Anne Russell
Abby Salsbury
Joey Serim
Carolyn Robbins Siegel
Mary Sharp Davis
Cirrelda Snider-Bryan
Kristin C. Thacher
Michael Ray Thornton
Ann Trott
Layne Vickers Smith
Elaine Weaver-Spalek
Melanie Ann Wegner
Ruth Weston
Betsy Williams
Juanita Wolff
Tomás R. Wolff

Santa Fe, New Mexico
505-690-7947
email: tamaracameron@me.com
website: tamaracameron.com
Please call or email to arrange a studio visit

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Tamara Cameron

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Tamara Cameron.

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Artist's Statement:

Clay, the Figure and Santa Fe

The landscape, culture and community in and around Santa Fe, New Mexico have gradually shaped who I have become and, in turn, they have influenced my sculptural work. It is a region of sharp contrasts, that seem to exist in balance - ancient and modern, stark and rich. The architecture of the varied cultures here is, and always has been, dominated by the land and the practical demands it makes. The clean lines help create an aesthetic of simplicity, beauty and honesty of purpose. The purity of a clear night sky, changing seasons and vast, harsh yet beautiful landscapes are collaborative influences.

Why clay? I enjoy the malleability and the tactility of clay. There is an intellectual and a meditative quality when working with clay.

The figure. In essence, the torso is used as a catalyst for finding a purity of motion within a simply elegant form. The abstract quality, or pieces and parts are used to create a whole. Experience, relationship, deconstruction and reconstruction combine to shape each new figure.

Tamara Cameron
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