New Mexico Potters and Clay Artists

Studio Tour

NMPCA Studio Tour

Betsy Williams

Cricket Appel
Michelle Arterburn
Karin N. Bergh
Elaine Biery
Kathryn Blackmun
Diane E. Botham
Tony Butler
Maxine Chelini
Kathryne Cyman
Sara Lee D'Alessandro
JoAnne DeKeuster
Kevin DeKeuster
Pamala S. Dean
Jay Dirago
Christine Evans
Karen Fielding
Joe Frey
Elizabeth Fritzsche
Philip Green
Sandra Harrington
Theo Helmstadter
Cheryl Hoagland
Marc Hudson
Z Jacobson
Linda R. Kastner
Daisy Kates
Michael Lancaster
Bari Lovewave
Rhonda Main
Lynne McCarthy
Karen K. Milstein
Darlene Nelson
Shel Neymark
Judy Nelson-Moore
Judith Richey
Kari Rives
Elizabeth Rose
Rita Ryan
Greta Ruiz
Abby Salsbury
Joey Serim
Carolyn Robbins Siegel
Mary Sharp Davis
Kristin C. Thacher
Michael Ray Thornton
Ann Trott
Layne Vickers Smith
Elaine Weaver-Spalek
Melanie Ann Wegner
Ruth Weston
Betsy Williams
Juanita Wolff
Tomás R. Wolff

PO Box 518
Dixon, NM 87527-0518
Telephone: (505) 689-1009
www.enbistudio.com

Betsy Williams is represented throughout the year by:  
Rift Gallery, 2249 Highway 68 Rinconada, NM
Open Wednesday - Sunday, 10 - 5 (505) 579-9179  

Weyrich Gallery, 2935D Louisiana (at Candelaria) Albuquerque, NM
Open Tuesday - Saturday, 11-5 (505) 883-7410

Her work is also exhibited nationally.
For a schedule of shows, please visit www.enbistudio.com and click on Events.

Betsy Williams  Betsy Williams  Betsy Williams  Betsy Williams  Betsy Williams  Betsy Williams  Betsy Williams  Betsy Williams 
Betsy Williams

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larger picture and details about works by

Betsy Williams.

Scroll down to see artist's statement.

Artist's Statement:

Central to my work are the integrity and beauty of the materials, and the firing, which is done primarily with wood using age-old techniques in a kiln I built myself in 2001. The intensive wood-firing experience enhances the depth of the glaze colors as well as the color of the clay bodies.

Simplicity, stillness, and the dynamic between pieces are important elements in my designs. My work, whether functional or sculptural, is meant to heighten our awareness during everyday moments, - moments that while repeated over and over throughout one¢s lifetime, are nonetheless never duplicated.

The Past

I was born and raised in rural Georgia, graduated from St. John's College - the Great Books school - in Santa Fe, went on to study the Russian language intensively for 3 years, and then worked as a money market trader for 5 years at a small regional Japanese bank in New York City.

My experience in clay is unusual. My co-workers at the bank introduced me to the world of Japanese ceramics, and from day one my training has been in Japanese methods, beginning with my experience at a small Japanese pottery studio in Manhattan in 1992 and culminating in the completion of a 4½ year apprenticeship in Karatsu, Japan in 1999 and my return to the US. I work in the Karatsu tradition, which for centuries has emphasized wheel-throwing techniques through repetition to create a paradoxically spontaneous and relaxed style.

The Present, The Future

In my work, there is another strong force - the desire to take risks. When I began my apprenticeship, one of the first things my teacher, Mr. Yutaka Ohashi, said was, "Please surpass me." What can I bring to the centuries of traditional skills that precede me - something spontaneous, relevant, and current? This is the question I always ask myself.

I have been a full-time artist since 2001. My partner, Mark Saxe - a stone sculptor, and I have our own gallery about 1 hour north of Santa Fe. Rift Gallery shows our own work and the work of a few other selected artists. My work is also exhibited nationally.

 
Betsy Williams Stoking the Kiln
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