Artist's Statement:
Much of my views about art are deeply rooted in my childhood. My
parents were artists, who valued creativity, originality,
independence, and the exploration of the natural environment. We
served from my mother’s earthenware bowls and were
surrounded by handmade pots, sculptures, and unusual objects. We
played with the inventive mechanisms and sculptures given
to my father by his peers and students. I remember
relaxed and open-ended discussions over the years of what
the abstract paintings on our walls might be representing.
Art was part of every day living.
I have been learning to make pots off and on since about
1987, but most intensively for the past 9 years. Early
formal studies began in a North Carolina arts and crafts
center and progressed with university coursework. After
moving to the Big Island of Hawaii, I learned through a
quasi-apprenticeship with an accomplished potter transplanted
from Oregon and then spent countless hours of individual
exploration in my own studio. More recently, induction
into wood firing communities has brought new possibilities
to mind.
I like for my work to be part of every day living. I
am inspired by line, by found objects, by nature, and by
creative problems originating in my imagination. I
have a deep respect for pure and traditional forms, rooted
in my early training, and I am exploring my personal expression
or aesthetic by experimenting with volume, shape, surface,
and design potential.