New Mexico Potters and Clay Artists
NMPCA Studio Tour

Studio Tour

Sara Lee D'Alessandro

Cricket Appel
Michelle Arterburn
Karin N. Bergh
Elaine Biery
Kathryn Blackmun
Diane E. Botham
Tony Butler
Maxine Chelini
Kathryne Cyman
Sara Lee D'Alessandro
JoAnne DeKeuster
Kevin DeKeuster
Pamala S. Dean
Jay Dirago
Christine Evans
Karen Fielding
Joe Frey
Elizabeth Fritzsche
Philip Green
Sandra Harrington
Theo Helmstadter
Cheryl Hoagland
Marc Hudson
Z Jacobson
Linda R. Kastner
Daisy Kates
Michael Lancaster
Bari Lovewave
Rhonda Main
Lynne McCarthy
Karen K. Milstein
Darlene Nelson
Shel Neymark
Judy Nelson-Moore
Judith Richey
Kari Rives
Elizabeth Rose
Rita Ryan
Greta Ruiz
Abby Salsbury
Joey Serim
Carolyn Robbins Siegel
Mary Sharp Davis
Kristin C. Thacher
Michael Ray Thornton
Ann Trott
Layne Vickers Smith
Elaine Weaver-Spalek
Melanie Ann Wegner
Ruth Weston
Betsy Williams
Juanita Wolff
Tomás R. Wolff

Mudwasp Sculpture Site
32 Reed Road
Cuba, NM  87013
mudwasp@windstream.net
Website:  www.saradalessandro.com
Represented in Albuquerque, New Mexico by Matrix Fine Art, 3812 Central SE, 505.268-8952
Also represented by Galerie Pelar Ltd (UK) at www.galeriepelar.com

Sara Lee D'Alessandro

Lord of the Flies

terra cotta and white clay 

28" high

Spike

slice form

7' high
“Dulcinea” spire 8.5' high and “Spawn” 11' high, both unique

 

Sara D'Alessanddro.asp

Artist's Statement:

Clay has always been my primary medium.  It has been a dance of over forty years.  Clay offers qualities no other media offers.  These qualities which keep me enthralled are: the ability to convey motion and flux, the capacity for great textural involvement, the rendering of “pulse,” immediacy, and it’s light absorbing quality.   Clay is a physical manifestation of the maw of time.  It is a sensory organ of the earth.
I like working large, free from the table top.  Scale is large not monumental. Personable scale with the sculpture standing on the ground creates a “tableaux vivants” experience, with viewers becoming part of the installation.  Installations are usually in groups, although, occasionally a sculpture is shown individually.  Each sculpture is a unique, that is to say “one of a kind.”
The form is organic, not idealized. They rise up from the ground,  yearning.  Surfaces are highly textured to be light responsive.  Outside installations animate as shadows move with the shifting arc of the sun..  Terra cotta, properly installed, is immensely suitable for outdoors. See installation notes on web site:  www.saradalessandro.com

I want my sculpture to impart a sense of being inhabited.   They are spirit vessels

Sara D'Alessandro
Undaunted
terra cotta and white clay spiral, 8' high
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